photography, gelatin-silver-print
portrait
photography
historical photography
gelatin-silver-print
19th century
Dimensions: height 83 mm, width 52 mm
Copyright: Rijks Museum: Open Domain
Curator: This is a photograph titled "Portret van een staande vrouw," which translates to "Portrait of a Standing Woman." We believe it was created sometime between 1870 and 1900 by Matthieu van Hout, using the gelatin-silver print technique. Editor: Wow, there's something incredibly haunting about this image, almost ghostly, maybe it is the sepia tones and the formality. She seems both present and so distant at the same time. It is like looking into a portal. Curator: It's precisely that distance I find compelling. As a historical artifact, the photograph offers a lens into the societal expectations of women in the late 19th century. The formal pose, the elaborate dress, the subdued expression–it all speaks to a very constrained role. We should examine the intersections of gender, class, and representation that come into play. What were the rituals associated with studio photography and how did it serve its patrons? Editor: Absolutely, it screams propriety, doesn't it? Yet, when I focus on her eyes, I catch a glimmer, perhaps defiance or maybe just… boredom? There's a human element fighting against the rigid conventions of the time, that lace detailing on the gown, intricate and beautiful. Curator: Indeed, and those small details could tell many stories of their own. One could speculate about labor practices related to textile manufacturing, its intricate designs reflecting social hierarchies and networks. Perhaps also reflecting subtle class aspiration. Editor: Thinking about it all that detail must have looked exquisite in colour - bringing back that hint of defiance, I almost wonder what she'd make of us discussing her photo like this now. Pretty sure she would raise an eyebrow. Curator: Likely so. Photography back then had this sense of permanence and respect attached to it and was such a special occasion for both photographer and subject. The dialogue with the past through images such as these are deeply powerful. Editor: It’s definitely prompted thoughts on representation and memory, a window, a very faded window for sure! Thanks for shedding light on it!
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