Portret van Leopold I, keizer van Duitsland 1658 - 1672

This print of Leopold I, Emperor of Germany, was made by Matthias van Sommer using an engraving technique. This process involves incising an image onto a metal plate, inking the recessed lines, and then pressing paper against the plate to transfer the ink. Engraving demands meticulous skill, involving careful planning and precise execution. The depth and density of lines determine tonal values, creating a detailed portrait of the Emperor, with a focus on his regal attire. The visual vocabulary deployed here – eagles, sword, orb, and crown – speaks to Leopold's power and status. But let’s also consider what this object *is*. Prints such as this were often made to be widely distributed. In that context, Sommer’s work can be understood as a propaganda tool, intent on promoting and consolidating the Emperor’s authority throughout his realm. By examining the materials, making, and context, we gain a deeper understanding of the artwork's social significance, moving beyond traditional notions of fine art.