Twee rosetten, een doopvont, een oliebrander en een theepot 1817

Pietro Ruga’s drawing features a collection of objects: rosettes, a baptismal font, an oil lamp, and a teapot. These carefully rendered objects offer a glimpse into the aesthetic and cultural values of the time. The classical motifs, like the rosettes and figures adorning the teapot, speak to a fascination with antiquity and a desire to connect with historical narratives. The baptismal font might reflect the intersection of religious practice and domestic life, hinting at the rituals and beliefs that shaped daily routines. Each object invites reflection on how class and identity are expressed through material culture. Consider the teapot, a symbol of domesticity and social ritual. Who was gathering around it, and what conversations unfolded over steaming cups of tea?