Gedagten over 's lands finantien... by Gijsbert Karel graaf van Hogendorp

Gedagten over 's lands finantien... 1802

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print, paper, typography

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neoclacissism

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print

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paper

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typography

Dimensions: height 22.5 cm, width 13.5 cm

Copyright: Rijks Museum: Open Domain

Curator: Right, let’s talk about this remarkable document, printed on paper in 1802. Its full title is “Gedagten over 's lands finantien...”, which translates roughly to "Thoughts on the nation's finances…". It's located here at the Rijksmuseum and the author is Gijsbert Karel graaf van Hogendorp. Editor: It strikes me as both imposing and strangely vulnerable. The typeface, while elegant, also feels relentless, and the paper itself looks fragile, hinting at the weight of the economic anxieties contained within. I'm wondering about the emotional temperature when this was created— were things heating up or cooling down? Curator: Well, consider that Gijsbert Karel van Hogendorp was a key figure during a turbulent period in Dutch history, particularly during the Batavian Republic and the transition towards the Kingdom of the Netherlands. Hogendorp advocated for economic reforms and stability at a time when the country's finances were strained by wars and political upheaval. That ornament at the bottom evokes classicism in my eye and really nails down this piece within its historic movement. Editor: That ornamental garland—it’s interesting you bring that up—strikes me as less celebratory and more funereal. Like a silent promise of sacrifices to come, all wrapped up in this neat neoclassical bow. The finances must have been pretty bad. I suppose Neoclassicism has a connection to austerity in that way; stripped down forms as if in conversation with societal strain. Curator: Precisely! The visual language supports that austere outlook. Hogendorp was proposing a complete overhaul of the Dutch tax system, aiming for a system of general taxes rather than the patchwork of local levies that existed previously. So, while that typeface might feel relentless to you, consider it a reflection of his determination! And those ornaments, while classically inspired, also symbolize order and reason in a time of chaos. It's pure visual rhetoric. Editor: And do you think it worked? Did it catch on? Was he successful? It sounds exhausting. Curator: Well, he faced a lot of opposition. But his ideas eventually influenced the development of the Dutch financial system. Standing here and thinking about this historical moment – this object makes us witnesses. Editor: It certainly brings that history into focus, doesn't it? A seemingly simple print, yet bursting with layers of cultural memory and ambition. And maybe, just maybe, it serves as a reminder that anxieties around finance and governance are nothing new under the sun.

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