Embleem met de christelijke kerk die beschermd wordt tegen aanvallen van goddelozen zoals duivels 1620 - 1649

This print, "Emblem with the Christian Church Protected Against Attacks by the Ungodly, such as Devils," was made by an anonymous artist using an engraving technique. Lines are incised into a metal plate, ink is applied, and then the surface is wiped clean, leaving ink only in the grooves. When pressed onto paper, a precise image appears, characterized by fine, deliberate marks. The stark contrast emphasizes the dramatic scene. Here, light pours down upon the Pope, who represents the Christian church. He is flanked by clergymen and protected from devils by armed angels. The method of production, engraving, is critical to understanding the social context of this artwork. The detailed lines allow for the transmission of intricate religious and political narratives during the reformation. This print demonstrates how the deliberate, mechanical process of engraving served as a powerful tool for disseminating ideas and beliefs during a time of upheaval. This challenges the traditional art historical narrative that separates printmaking from the more 'fine' arts.