Dimensions: 14 x 10 in. (35.6 x 25.4 cm)
Copyright: No Copyright - United States
This still life was painted by Emil Carlsen, we don't know exactly when, but it's done in oil paint and on a small scale. The real pleasure here comes from looking closely at the way the paint has been applied. It's not about creating a perfect illusion, but about the sensuality of the medium. You can see how Carlsen has used different brushes and strokes to build up the forms. The background is all loose scumbles of earthy brown, and this makes the blue and white of the vase pop forward. I keep coming back to the brushstrokes that suggest the design on the vase. See how these bold, confident marks capture the essence of the pattern without getting bogged down in detail. And the little pops of yellow and purple in the bottles at the bottom, it's so good. This is reminiscent of some of Chardin's still lifes, where humble objects are transformed through careful observation and a love for the materiality of paint. It's a reminder that art is always a conversation across time.
A noted painter of still lifes, Emil Carlsen immigrated to America from Denmark in 1872 at the age of nineteen. Shortly thereafter, he taught at the Art Institute of Chicago before returning to Europe in 1875 to study the works of the eighteenth-century French still-life painter Jean-Baptiste-Siméon Chardin. Working in Paris and later in New York, Carlsen became the leading American proponent of the nineteenth-century Chardin revival. Still Life, Chinese Vase, an oil on panel completed in 1922, epitomizes the late phase of Carlsen's career, when his emulation of Chardin achieved its highest level. With an economy of means and attention to the subtleties of light, form, and texture, Carlsen captured both the quiet mood and soft atmosphere of the French master. The still life's harmonious colors and balanced arrangement of objects add to its serenity and contemplativeness.
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