De heilige Hieronymus 1516

Editor: This engraving, "Saint Jerome," from 1516 by Lucas van Leyden…it’s surprisingly intimate, isn't it? Especially for a religious scene. There’s such detail in the lines, creating this quiet, contemplative mood. I’m struck by the way the landscape sort of dwarfs Jerome, yet he's the clear focus. What do you see when you look at this piece? Curator: I see a mind in conversation with itself. Notice the detail, as you mentioned; it’s so characteristically Northern Renaissance. The landscape isn’t just a backdrop, is it? It’s alive, breathing – almost a participant in Jerome’s spiritual quest. He seems lost in thought. Do you feel you know what about? Editor: Perhaps he is contemplating a verse from the Vulgate bible. It's also interesting he's carrying a small skull! The lighting seems to give importance to this little object. It also helps that Jerome seems at peace despite being next to a rather docile lion. Curator: Yes! That lion is key. Legend says Jerome removed a thorn from its paw, and it became his loyal companion. See how the lion is calm while Saint Jerome holds a symbol of mortality. To me this tells a story. What if Lucas Van Leyden is playing on the ideas of mortality, penance and peace? All very strong images in art! I find the entire piece intensely personal. A vision, perhaps. It makes me wonder: what are the landscapes of our own internal struggles? Editor: That’s a beautiful way to put it, internal landscapes. I was so focused on the surface, on the technique, that I almost missed the deeper, more reflective quality. Thank you, I appreciate that. Curator: And thank you. That reminder about the bible puts it into context; maybe the whole scene is simply that of peace, even with a reference to a rather bleak memento mori. That changes my mind too!