Before the Fireplace (No. 1) by Mary Cassatt

Before the Fireplace (No. 1) c. 1882

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print, etching

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portrait

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print

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impressionism

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etching

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genre-painting

Dimensions: plate: 16 x 20.6 cm (6 5/16 x 8 1/8 in.) sheet: 21.6 x 30.3 cm (8 1/2 x 11 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Mary Cassatt's etching, "Before the Fireplace (No. 1)", created circa 1882, invites contemplation. It’s a masterful study in composition. Editor: You know, looking at this, I immediately feel the stillness, almost a hushed intimacy. The figure seems lost in thought. Is it melancholic, perhaps? Or simply a quiet moment of reflection? Curator: The figure, positioned diagonally, commands attention, doesn't she? Cassatt masterfully employs hatching and cross-hatching, primarily visible in the mantelpiece and within the subject’s dress, creating depth and tonal variation, emphasizing formal construction. Editor: The etching lines have this delicate quality, like whispers on paper. The chair, slightly ornate in design, feels like a safe haven, cradling her as she gazes into the hearth. You can almost feel the quiet warmth from an unseen fire. It’s incredibly subtle! Curator: Precisely! It also mirrors Impressionist principles, prioritizing everyday subject matter over conventional themes. Notice how Cassatt's restraint is almost academic. It reflects both her own creative sensibility and Degas’ influence as printmaker. Editor: Degas? I see. There's definitely a contemplative, slightly voyeuristic vibe there, very much like his work. It's interesting how she frames this very private moment in what could have easily been seen as domestic banality. Curator: Agreed, and technically, look how Cassatt confines the figure. See how the geometry creates a sense of interiority, inviting us to decipher not just her subject’s external form, but inner state. Editor: Absolutely! It is beautiful! To look at the world and see someone seeing into themselves. It really invites us to look in as well, which I think makes a moving invitation that makes us feel more in tune to that time. Curator: Indeed. Cassatt delivers that timeless invitation with the language of geometry and subtle etching, to truly witness introspection. Editor: I'm seeing Cassatt at the hearth now. Maybe seeing into her future…

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