Bertie Pruyne, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Bertie Pruyne, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

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drawing, print, photography

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portrait

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drawing

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print

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impressionism

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photography

Dimensions: Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Copyright: Public Domain

Editor: This is "Bertie Pruyne," a photographic print from around 1890 by Kinney Brothers. It was actually produced to promote Sweet Caporal Cigarettes. It’s fascinating how different things were then! I’m struck by how its visual appeal feels very modern despite its age. What draws your eye, and how would you interpret this as a historian? Curator: Well, seeing this image, I'm immediately drawn to thinking about the late 19th-century’s burgeoning consumer culture and the rise of celebrity endorsements. Tobacco companies aggressively used imagery of actresses, athletes, and other public figures. How were women represented and consumed by society during this period? This card isn't just about selling cigarettes, it’s about circulating idealized images of femininity. Pruyne is depicted as charming, attractive, and seemingly accessible. Editor: So, the image is almost a commodity in itself, beyond just the cigarettes? Curator: Precisely! And think about where these cards ended up: in cigarette packs, affordable and readily available. It made "high culture," embodied by an actress, attainable and consumable for a mass audience. What does it tell us about societal values and the role of entertainment back then? Editor: I see! So it reveals how commercialism and the public image were intertwined, blurring the lines between art, advertisement, and societal expectations. Curator: Exactly. By understanding this historical context, we gain a deeper appreciation for how images are constructed, disseminated, and influence our perceptions of identity, status, and desire. What seemed innocent is much more revealing of historical contexts. Editor: I never thought of it that way, but understanding that adds so much to the artwork. Thanks for sharing this, it completely reframed the piece for me.

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