Shaker Shawl c. 1936

Jessie M. Benge rendered this study of a ‘Shaker Shawl’ in graphite. Immediately, one is struck by the sketch’s quiet simplicity, achieved through the artist’s delicate handling of line and form. The composition centres on two views of the shawl, draped over what appears to be a dress. The use of line is particularly noteworthy; Benge employs light, almost hesitant strokes to define the contours of the shawl and dress, giving the objects a sense of ethereality. This technique aligns with structuralist interpretations, where the surface suggests the unseen structures that define societal norms and behaviors. The fringe on the shawl, meticulously rendered, adds texture and depth, creating a visual rhythm that engages the eye, while the subdued palette evokes a sense of nostalgia and introspection. Ultimately, the drawing invites us to consider the interplay between form and function, surface and structure, in the context of Shaker design principles. It serves as a contemplative exploration of simplicity, utility, and the subtle beauty found in everyday objects.