Nuns, convention hall--Chicago 1956

Editor: Robert Frank’s photograph, "Nuns, convention hall--Chicago," from 1956, is striking. It's a black and white print, showing these shrouded figures, and there's a real sense of mystery to the composition. How do you interpret this work? Curator: It is compelling, isn’t it? Frank’s work often captured a sense of social unease and alienation. Here, consider the historical context: the 1950s in America were a time of rigid social norms, particularly around gender roles and religious expectations. How do you see the nuns fitting into, or perhaps challenging, that framework? Editor: I guess their covered faces could be seen as subverting the male gaze. Curator: Precisely. Their anonymity, enforced by their religious garments, both protects them and potentially critiques the objectification of women so prevalent at the time. The 'convention hall' setting also adds another layer. What does it suggest to you? Editor: Maybe that they're out of place, or that their faith is a spectacle? Curator: It hints at the intersection of faith and public life, but also at a certain marginalization. Are they participants or observers? Frank’s photographs prompt us to question power dynamics. Who gets to be seen, heard, and represented? What is hidden? Editor: It definitely makes me think about the choices women make, and the ways society restricts or interprets those choices. I never would have thought to connect this image to feminist theory! Curator: Frank's lens offers a stark reminder of how social structures shape our identities and visibility. Hopefully it provided food for thought. Editor: Definitely, thanks!