Ceremony 1965

Editor: Here we have Kenneth Rowell's "Ceremony," an image from the Tate collection. It's quite striking, with this central figure almost exploding outwards. How do you interpret this work, especially considering its title? Curator: The title suggests a staged event, but I'm drawn to the materials and method of its making. The printmaking process itself, the labor involved in carving the blocks, and the reproducibility of the image all speak to a democratization of art, challenging notions of unique, precious objects. How do you see the materials impacting the overall message? Editor: I see how the starkness of the printmaking emphasizes the dramatic contrasts in the piece. Thanks, that gives me a lot to consider. Curator: Likewise, the process really does emphasize the social context of the work and brings a unique perspective.