Thomas Howard, 2e graaf van Arundel en zijn vrouw Alatheia Talbot 1635 - 1675

Editor: So, this engraving, "Thomas Howard, 2nd Earl of Arundel and his wife Alatheia Talbot," was made sometime between 1635 and 1675 by Lucas Vorsterman I. I find the presence of all of these worldly possessions – the globe, the armillary sphere, even the classical sculpture – quite intriguing. What do you see in this piece? Curator: I see the symbolic language of power and influence rendered meticulously in lines of ink. Look at how the globe is positioned: their connection to it suggests dominion, perhaps even a claim on the world itself. Editor: So, it's about projecting an image of control? Curator: Precisely! These objects, each with layers of historical and cultural significance, construct a narrative. What does the presence of the sculpture suggest to you? Is it merely decorative or does it embody deeper concepts? Editor: It evokes ideas of classical virtue and intellect, perhaps aligning the Howards with those values? Curator: Exactly! The artist carefully selects imagery that amplifies the sitter's prestige, connecting them to a lineage of greatness. It’s about shaping perception, ensuring their legacy. Do you think this form of messaging still exists? Editor: Absolutely. I’ve never really thought about older artworks being used this way, it is definitely something to consider in a modern context as well. Thanks! Curator: Indeed! We explored visual language of identity, power, and enduring influence within it, which continues to inspire.