Seated Girl with a Dog by Anonymous

Seated Girl with a Dog c. 1325

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drawing, tempera

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portrait

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drawing

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medieval

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tempera

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figuration

Dimensions: overall: 13.4 x 6.4 cm (5 1/4 x 2 1/2 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Let's talk about this captivating drawing rendered in tempera, an artwork known as "Seated Girl with a Dog," believed to have been created around 1325 by an anonymous artist during the medieval era. Editor: It's remarkably delicate, isn't it? There's a real sense of gentle affection radiating from the girl, such stillness like it is a peaceful moment captured in time. I'm curious about the dog; its features seem slightly obscured or even obscured entirely by its owner. What can we gather from the iconography? Curator: Absolutely, its presence feels almost symbolic more than realistically rendered, like it’s the embodiment of fidelity, a common motif during this period. The garland of flowers on her head suggests youth, perhaps even purity. It appears it embodies themes of innocence and companionship within a courtly love context? Editor: Perhaps the dog isn't simply about fidelity. Look how closely it nestles against the girl; it almost mirrors her shape, suggesting shared vulnerability or a deep, perhaps even wordless bond, a safe-space feeling for both of them. The use of drawing technique during the Middle Ages is impressive! What can you share about the materials used and techniques of tempera on canvas? Curator: The medium, tempera, provides an amazing view for artwork made from centuries ago. Its meticulousness helps show attention to detail. The use of red is intriguing—delicate accents in her hair, her lips, the base of her seated surface—providing pops against an otherwise subdued palette, signifying importance or passion? Editor: Or perhaps drops of vitality splashed across the neutral ground of existence? I do feel the flatness lends a slightly otherworldly air, stripping away any sense of depth to show a dreamscape. Also, note how both human and dog avoid our gaze? Curator: The medieval period shied away from direct engagement like later Renaissance artworks. The effect you are talking about makes it intimate, and the artist creates a realm exclusively shared by the seated girl and her companion. Their shared serenity makes me dream about that tranquility existing even nowadays! Editor: In short, this work, "Seated Girl with a Dog," encapsulates a gentle intimacy, echoing long-lost eras of allegorical purity and symbolic harmony while also stirring longings for shared solitude, wouldn’t you agree? Curator: It's a serene artwork resonating deeply, even so long after it was initially visualized by the artist!

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