In Der Studierstube 

Editor: Eduard von Grützner’s "In Der Studierstube," created using oil paint, shows a genre painting depicting a monk holding a glass of liquid. I find it quite compelling, in the sense of mundane joys of human nature; how would you approach an interpretation? Curator: Well, let's start with the materials. Oil paint itself, readily available by Grutzner’s time, allows for that incredible realism in rendering the textures – the glint of light on the glass, the roughness of the monk's robe, the very wood grain of the desk. Consider how these details contribute to the scene’s overall narrative. Where does the production of such items fit in this tableau? Editor: The robe makes me wonder about the textile production, who would've spun the fabric, who made the garments... So, focusing on the context, do you think it speaks to a larger point about labour? Curator: Exactly! This painting engages with the historical and social reality of monastic life, moving past romantic stereotypes. The contents and vessels on the table speak to class, economy, commerce: where does that liquor come from, and the ink, the book? Moreover, this is not an icon; rather, we see the representation of everyday activities through material objects and possessions. How does the "everydayness" of the tools and objects relate to labor for you? Editor: That's such a fascinating aspect to consider. Now it gives the artwork a fresh context in terms of not just representation but a socioeconomic background as well. Curator: Precisely, looking at art through its materials reveals the hidden networks of labor and exchange that underpinned its creation and consumption. I always find it’s such an enriching process. Editor: Definitely! It's given me so much food for thought; now I see the piece as much more than just an aesthetic creation!