Gezicht op de Hampoort van binnen Grave en gezicht op de Hampoort van buiten Grave, 1732 1746 - 1792

Curator: Here we have Hendrik Spilman’s “Gezicht op de Hampoort van binnen Grave en gezicht op de Hampoort van buiten Grave, 1732,” created sometime between 1746 and 1792. It's an engraving on paper. Editor: The crisp linearity immediately grabs you. The engraving possesses an understated austerity, yet evokes such quiet and deliberate scenes. The contrasting views, arranged vertically, add a fascinating duality. Curator: Spilman presents the city gate from two distinct perspectives—both interior and exterior—revealing more than just its façade but an implied narrative of access and enclosure. It adheres, stylistically, to Baroque sensibilities, evident in its detailed rendering and structured composition. Editor: Note the detail in the bridge, which looks to be made from timber. One has to consider how labor was structured around this port; consider also the availability of those resources—the wood itself, or the cost of labour required for stonework. The surrounding structures further imply levels of craft. Curator: Absolutely. The formal organization invites analysis of how Spilman balances spatial depth and surface detail. The lines, creating texture and shadow, guide the eye. Editor: For me, though, seeing the exterior view alongside the interior forces me to think of the socio-economic status. Those within had access; those without are barred by it. It is made by human hand; but its intention holds so much weight. The method of creation impacts everything from material choice to how the work reflects culture and ideology. Curator: A powerful reading. The binary structure definitely permits such interpretations. Editor: In any case, a good engraving offers endless interpretive pathways. Thank you for illuminating this today. Curator: My pleasure, it’s been great highlighting Spilman’s careful craftsmanship.