Two Friends 

Editor: Here we have Pierre Bonnard's pen drawing "Two Friends." I’m struck by the quick, almost frantic linework. It gives the piece an unfinished, yet lively feel. What do you see in this work, viewed from a formalist perspective? Curator: It's intriguing, isn't it? Focusing on the intrinsic qualities, one is drawn to the dynamic interplay of lines. Note the stark contrast created by the artist’s consistent marks. Are these elements deliberately constructing a specific narrative, or are they self-sufficient entities? Editor: That's a fascinating way to think about it. So, the form itself, the composition and line quality, become the primary subjects, even more than the figures depicted? Curator: Precisely. Semiotically, each stroke, each shadow implies certain potential. The repetition of certain strokes helps establish visual connections, and you’ll note Bonnard's creation of pattern in both the headwear and drapery. This is a means to draw our attention to the picture plane rather than allow our eyes to wander toward narrative readings of two individuals, which are notably undermined by the abstraction and gestural linework throughout the work. What do you make of this? Editor: I think it's fascinating how focusing on the lines and their construction almost abstracts the figures, and creates this amazing texture throughout. This way of focusing on structure of the forms really changes how I view this drawing. Thanks! Curator: Absolutely, considering an artwork through formal lenses allows for such illuminating moments, revealing the underlying systems at play. It is good to also question these underlying systems and methods of reading, and consider what else is happening.