Touch c. 16th century

Curator: This is Pieter de Jode the Elder's print, simply titled "Touch." The plate measures about 19 by 23 centimeters. Editor: It's sensual, almost aggressively so. The figures are arranged to emphasize exposed skin, contrasting textures of flesh and fabric. Curator: Indeed. The print likely belongs to a series representing the five senses, common in the era. Notice the embracing couple in the background versus Venus and Cupid in the foreground. Editor: That contrast is key. The background couple embodies domestic intimacy, while Venus’s assertive gaze and Cupid's pose suggest a more performative, perhaps even political, understanding of touch. Curator: Good point. It highlights how displays of affection were—and still are—shaped by social expectations. Editor: Precisely. This image isn't just about physical sensation; it’s about the cultural coding of intimacy. Curator: Thinking about how the public role of art has changed, it's fascinating to see a piece so overtly sensual. Editor: Agreed. It makes you consider the evolving politics of imagery and the changing boundaries of acceptable representation.