drawing, graphite
drawing
baroque
graphite
Dimensions: 14 1/4 x 11 1/8 in. (36.2 x 28.2 cm) (sheet)23 3/4 x 19 3/4 in. (60.33 x 50.17 cm) (outer frame)
Copyright: Public Domain
Jan van Huysum created this drawing, *Bouquet of Flowers in a Terracotta Vase*, using black chalk on paper. Chalk is a humble material, and its use here signals a turn away from the highly finished oil paintings for which van Huysum was known. The drawing medium allows us to see the artist working rapidly. The composition emerges from a flurry of marks, some darker and more decisive, others light and exploratory. Consider the flowers themselves: each petal and leaf suggested with an economy of means, yet combining to create an overall impression of luxuriant abundance. Van Huysum's skilled hand is evident, but so is the intrinsic character of chalk: its ability to capture subtle gradations of tone, its slightly crumbly texture. By embracing these qualities, van Huysum moves away from academic polish, and toward a more intimate, process-oriented aesthetic. This drawing bridges the traditional gap between preparatory sketch and finished artwork.
Comments
The foremost Dutch flower painter of the early 18th century, Jan van Huysum specialized in depicting elaborate floral arrangements that could never actually be seen, for they included blooms from different seasons. With drawings such as this, he conjured up arrangements resplendent with rhythmic flows and weaving lines and complex plays of light—in which brightly illuminated blooms in the back of the bouquet help to silhouette darker blooms near the front. Whereas drawing was a means of concocting fantasy bouquets, painting was the vehicle for van Huysum’s meticulous study of nature. He liked to paint individual blossoms directly from nature. The freedom and fire of his best drawings was sacrificed for painstakingly precise observation in paintings made over the course of months, or sometimes years, as he waited for the buds to bloom. The drawings sometimes correspond to known paintings, but never exactly. The real flowers from which he painted would naturally vary from those he envisioned on cold, dark nights.
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