À Johannes Brahms 1900

Henri Fantin-Latour made this lithograph, À Johannes Brahms, as an homage to the composer. It presents a theatrical scene which raises questions about how artistic genius is acknowledged and remembered. The image depicts an allegorical figure placing a wreath on a monument inscribed with Brahms’ name. An angel stands behind, holding a staff, while a putto plays a lyre at the right. Fantin-Latour was part of a Symbolist circle in France during the late 19th century. His art reflects a broader cultural interest in the spiritual and the ideal, a turn inward from the increasing industrialisation of society. There was a growth in spiritualist movements and interest in the occult. Wagnerian opera, with its mythical and heroic themes, was very popular and Brahms was seen as continuing that legacy. The lithograph can be seen as reflecting on the role of the artist, the status of genius, and the institutions that bestow artistic fame. Further research into Symbolist art and 19th century French culture will help us to appreciate the full meaning of this beautiful artwork.