Luitspeelster en jongeman bij kaarslicht by Pieter Schenk

Luitspeelster en jongeman bij kaarslicht 1670 - 1713

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print, engraving

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portrait

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dutch-golden-age

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print

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charcoal drawing

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figuration

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chiaroscuro

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genre-painting

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engraving

Dimensions: height 245 mm, width 188 mm

Copyright: Rijks Museum: Open Domain

Curator: So, here we have "Lute Player and Young Man by Candlelight," an engraving by Pieter Schenk, dating somewhere between 1670 and 1713. Editor: Oh, the drama! Immediately, I’m getting a sense of secrecy, of whispered confidences in the dark. It’s a chiaroscuro masterclass, isn’t it? That single candle... it’s practically a spotlight on this intimate scene. Curator: It’s that candlelight that gives it such a beautiful, almost painterly quality, despite being an engraving. You know, genre scenes like this were incredibly popular during the Dutch Golden Age. There’s almost a sense of… theatricality to it, isn’t there? Editor: Absolutely! And what do you make of the power dynamic? He's got his hand near hers on the lute, sort of coaching her... or maybe something more sinister is brewing between these two? She's young, adorned with jewelry, and he’s lurking in the shadows like... like a watchful predator. Curator: Interesting take! I was rather admiring the skill in rendering the textures, like the woman's silken gown. One gets a sense of opulence and elegance that were fashionable at the time. Perhaps it represents the universal and sometimes frivolous relationship of music and courtship. Editor: Or perhaps the precarity of women’s positions, even wealthy women, whose fortunes often hinged on a successful marriage. It’s hard not to view it through that lens, knowing what we know about the realities of that period. The lute becomes a symbol of her performance for a male gaze, her value tied to her accomplishments within his confined space. Curator: Yes, you make an interesting point about the gaze... Maybe there is more to this musical serenade than initially meets the eye. Perhaps there’s a critique embedded within what at first appears to be a simple genre scene. Editor: Art, after all, rarely exists in a vacuum, does it? I'm always fascinated by these dialogues, and this piece continues the same narrative. Curator: Indeed. It is as though the piece invites viewers into a whispered conversation across centuries, making us examine history from diverse perspectives.

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