琴棋書画図屏風 by Kanō Motonobu

琴棋書画図屏風 

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painting, paper, ink

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tree

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toned paper

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ink painting

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painting

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asian-art

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landscape

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paper

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form

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handmade artwork painting

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ink

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realism

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yamato-e

Copyright: Public domain

Editor: We’re looking at a folding screen, titled “Zheng Gui Visits Duke Yuan of Chu.” It’s an ink painting on paper attributed to Kanō Motonobu. The scene gives off a tranquil and rather studious vibe. All that nature depicted in muted tones…it makes me wonder, what was Motonobu trying to communicate with this composition? Curator: It does, doesn't it? Like a gentle whisper across centuries. To me, this work speaks of scholarly retreat and the harmony between humans and nature, deeply rooted in East Asian philosophy. Notice the placement of the figures: they're integrated into the landscape, almost secondary to it, implying nature's dominance and our role as observers, or temporary inhabitants. Editor: That makes sense. I see now how the positioning contributes to the overall feeling of serenity. Is that connection to nature why it's done in ink? Curator: Ink wash painting is fascinating. What draws me in is how the artist embraces subtlety. This pushes us to look deeper, past the surface level. The monochrome forces you to engage. I would ask, how else do you notice it engaging you? Editor: I think I initially missed how the trees frame the figures. Their limbs point you right to the focal point. The layering of the landscape is incredible! I thought the flatness made it appear more muted initially. Now I can really see the artist's work creating depth. Curator: Absolutely! See? It reveals its secrets slowly, doesn't it? Which I love. The technique allows for such nuanced gradations of tone and texture. The use of "empty space" contributes too, doesn't it? It adds a sense of depth but more than that, room to breathe. Space to dream, wouldn't you agree? It asks, what do you see there? What do you imagine fills this in? Editor: I think I was definitely looking for a grand statement at the start. But, this showed me it’s not always about bold pronouncements but those reflective, quieter moments. Curator: Right! It's not so much what is IN the painting, as what the painting does _within_ you. Like a whisper that reminds us of something we already knew.

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