A Hunting Ground 1968

Hiroyuki Tajima made 'A Hunting Ground' in 1968, probably using a woodblock print technique. The textures and colour relationships are where it’s at here. Look how the earthy reds interact with the muted blues, creating a strange, almost unsettling, atmosphere. The surface has this incredible, almost velvety quality, with layers of texture that invite you in. Check out those circular forms near the top; they almost seem to hover in the space, creating a feeling of depth and movement. What tools did he use to make the marks? I love how the scratches create a network of lines that add a layer of complexity to the composition. There is something about the tension between the graphic elements and the almost organic feel of the textures, I'm reminded of Terry Winters work, which I also love. Ultimately, this piece shows us how art can be a space of possibility, open to multiple readings and interpretations.