William Henry Fox 1942

Editor: This is a charcoal drawing entitled "William Henry Fox", created in 1942 by Violet Oakley. The reddish-brown and gray hues create quite a solemn and serious atmosphere. What symbolic weight do you think Oakley was trying to convey? Curator: Indeed, the restricted palette immediately triggers a sense of reflection. Given Oakley's background as a muralist interested in civic ideals and her Quaker faith, the muted tones could represent the gravity of the war years, or perhaps, the Quaker values of simplicity and inner reflection. Notice the almost architectural lines in the background: a subtle nod to structure and foundation, perhaps a visual metaphor for Fox's own contributions? Editor: That’s interesting! I hadn’t considered the architectural aspect. Do you think that seriousness is further emphasised through the formal pose, seated with his hands clasped? Curator: The pose does command attention. The clasped hands—a posture often associated with contemplation—might signal a life dedicated to thought, action, or even prayer. But I am most drawn to his gaze – he is not looking away. Who do you imagine him to be, looking at us, in the midst of the 1940s? Editor: I suppose he could be seen as either challenging us, or wanting us to remember something. It certainly provides food for thought. Thank you, that's really broadened my perspective. Curator: My pleasure. I now wonder who will gaze at *us*, a hundred years from now! What memories of our time will be inscribed on *our* faces?