Copyright: Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2017 / The Artists Rights Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles.
"Piet Niet" by Bas Jan Ader is a set of eight silkscreen prints where fields of red, blue, and yellow are each overlaid with letters that spell "P-E-N-E-T." Ader, whose life was marked by his father’s execution at the hands of the Nazis, and his own later disappearance at sea, was deeply attuned to failure, often staging actions that resulted in his own fall. As a Dutch artist working in the minimalist vein, Ader subtly mocked the rigid, utopian aspirations of his forbears like Piet Mondrian. Here, he takes the abstract visual language of the older artist and renders it absurd by superimposing the Dutch word "penetratie" across the series. The tension between the formal and the vulgar underscores a deep sense of disillusionment with the promises of abstraction to heal the trauma of modernity. "Piet Niet" becomes a powerful, if melancholic, meditation on the body, language, and the burdens of history.
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