Mozes bij de brandende braamstruik en Mozes, Aaron en de Egyptische tovenaars 1791

This print, made by Simon Fokke in the 18th-century Netherlands, depicts two scenes from the Book of Exodus. It offers us a glimpse into how biblical narratives were visualized and understood within a specific cultural and religious context. The image creates meaning through its visual codes: Moses is shown twice, once in a humble pose before the burning bush, and again confronting the Egyptian Pharaoh. The print reflects the cultural and religious values of the Dutch Republic, where the Bible held a central place in public life. It was a time of religious debate, and images like these would have played a role in shaping popular understanding of scripture. Examining the print's style, composition, and distribution can provide insights into the social and intellectual currents of the 18th century. As historians, we can use sources such as religious tracts, popular literature, and other visual materials to better understand the cultural significance of this print and its role in shaping religious and social identities.