A King, possibly the Emperor Saint Henry by Joseph Götsch

A King, possibly the Emperor Saint Henry 18th century

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carving, sculpture, wood

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portrait

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medieval

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carving

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sculpture

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figuration

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sculpture

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wood

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history-painting

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decorative-art

Dimensions: Height: 11 5/8 in. (29.5 cm)

Copyright: Public Domain

Curator: Well, doesn't he just look like he means business! There's a regal, slightly intimidating air, wouldn't you agree? Editor: Yes, though something about his stance suggests less "king" and more...burdened. All that finery looks heavy, literally and perhaps metaphorically. Curator: Let me orient our listeners. What we have here is an 18th-century wood carving, currently held at the Metropolitan Museum of Art, titled "A King, possibly the Emperor Saint Henry". Editor: "Possibly"? I like the uncertainty. Adds a touch of playful mystery. Was there an identity crisis for this artwork? Curator: These works, you see, often represent idealized virtues, power structures and claims to legitimacy in a religious context. The attribution can often be uncertain because it's the symbolism that takes precedence. Editor: Symbolism, sure. But look at his face! There’s a weariness there that speaks to something more personal than just a symbol of kingship. The way the wood's carved around his eyes. Almost melancholic, even though he's adorned with the crown and regalia. Curator: Well, yes, there is a history of interpreting regal portraits of figures like these through the lense of piety and righteousness...but yes perhaps there's a different story. What I find most interesting is the layering of armor with the cape - these materials often spoke to one's role in worldly conflict but here they coexist. Editor: I agree. And it raises a wonderful tension! He’s this warrior-king saint… But at what cost? He’s grasping a scepter and what appears to be some type of chalice...He can possess these sacred objects...But what do they represent? Power? Connection to humanity? Divinity? What's the toll on this specific soul to carry these? The carving almost captures that quiet pondering. Curator: Ultimately, this is where the strength of figuration through artwork rests; a reflection and dialogue regarding ideals, duty, history. Editor: Leaving us, perhaps, to contemplate not just who he was, but the nature of leadership, then and now. Food for thought from an old chunk of wood!

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