Portrait of Lee Miller as Arlesienne by Pablo Picasso

Portrait of Lee Miller as Arlesienne 1937

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pablopicasso

Musée Picasso, Paris, France

painting, oil-paint

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portrait

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art-deco

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cubism

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allegories

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painting

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oil-paint

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pop art

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figuration

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naive art

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abstraction

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modernism

Copyright: Pablo Picasso,Fair Use

Curator: Before us hangs Pablo Picasso's 1937 oil on canvas, "Portrait of Lee Miller as Arlesienne." It currently resides here at the Musée Picasso in Paris. Editor: Okay, Lee as Arlesienne... well, she looks rather…jaundiced. Yellow skin, kind of Martian, set against that wishy-washy pink background. What was Picasso going for? Is she seasick, perhaps? Curator: This portrait offers a complex study in form and perception, far exceeding the surface rendering. Consider how Picasso segments Miller's features—her eye, fractured into geometric components; her nose, exaggerated into a sharp triangle. He is dismantling traditional portraiture. Editor: Dismantling alright! Poor Lee, she looks like she’s been through a Cubist meat grinder! And what's with those stripes on her chest? Are they supposed to be… ribs? A fashion statement gone wrong? Though I have to admit, there's a quirky charm to it. Curator: These deconstructed elements challenge our expectations of representation. The colour palette, though somewhat unconventional, provides a network of signification, a reference to her psychological landscape and internal states. The geometry provides another lens of observation. Editor: So you’re saying there's more to this than meets my slightly horrified eye? I suppose you're right. It's not just a strange portrait, is it? There’s a palpable tension, an almost uneasy beauty in the distortion. She's strangely… unforgettable. It's definitely something, isn't it? Curator: Indeed. The success of the painting lies in its multifaceted commentary—Picasso's exploration of form, the nuances of perception, and even his emotional dialogue with Lee Miller as his subject. Editor: Who knew a yellow-skinned, geometric Lee Miller could be so thought-provoking? Maybe Picasso was onto something with all those odd angles after all. Curator: Perhaps. It remains a key painting in this era. Editor: Well, thanks for straightening out my vision…artistically speaking, of course. Now, if you’ll excuse me, I need to go look at something less…angular.

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