Koe met vrouw en kind by Frederick Bloemaert

Koe met vrouw en kind after 1635

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engraving

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dutch-golden-age

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old engraving style

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landscape

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figuration

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genre-painting

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engraving

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realism

Dimensions: height 98 mm, width 155 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at "Cow with Woman and Child" by Frederick Bloemaert, created sometime after 1635, I’m immediately struck by its placid stillness. It's an engraving, a fairly accessible medium during the Dutch Golden Age, that speaks to a broader societal interest in the everyday. Editor: Oh, goodness, it’s got that quiet sort of hum to it, doesn’t it? That calm you only get when everyone's agreed it's time for a nap. The cow's utterly unbothered, the child just peeking out... and that woman. What is she thinking? Is she actually comfortable up there? It looks like a rather itchy spot. Curator: Exactly! While seemingly simple, it's more than just a pastoral scene. These genre paintings offered a glimpse into the ideals, values, and sometimes even the veiled criticisms, of Dutch society. Bloemaert plays with the imagery of rural life. He reflects the socio-economic status, displaying wealth with its peaceful, prosperous family and healthy, relaxed livestock. Editor: It’s intriguing that the scale of the cow sort of dwarves everything, isn't it? Like it's the benevolent, slumbering overlord of this tiny moment in time. I also wonder if the cow's posture—so grounded—reflects this desire for stability. After the turbulent times of the Eighty Years' War perhaps? It would have been comforting. Curator: That’s insightful. Also remember the development of landscape art. This piece gives insight into how the Dutch literally viewed their land and used their land, depicting nature not as a sublime wilderness but as a productive and familiar space. Bloemaert had this print produced and distributed for profit, of course, so it's crucial to consider the consumer and context, too. Editor: Absolutely, there's a marketing angle. It has such a simple yet timeless appeal. We’re still captivated by it centuries later. Maybe we secretly want our lives to feel as still as this little scene. Even if that is slightly cow-dung flavored. Curator: So, in this small scene on paper, we see reflections of social standing, the value placed on agriculture, and how cultural attitudes affect perceptions of nature and family. Editor: And on a much more immediate level, a quiet nod to the shared longing for a peaceful, sleepy afternoon. Whether you're sitting on a cow or not.

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