Skiers on a Train by Norman Rockwell

Skiers on a Train 1962

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normanrockwell

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realism

Copyright: Norman Rockwell,Fair Use

Curator: So, here we have Norman Rockwell’s "Skiers on a Train," painted in 1962. It’s an oil on canvas, depicting a rather packed train car. My first thought? Claustrophobia! It's all so crowded, the painting almost makes me feel boxed in just looking at it. Editor: That's interesting. The crowding definitely serves a purpose. I read it as a visual representation of the collision of different social worlds – leisure colliding with…perhaps societal expectations? Note the figure in the center. Curator: Yes, the central figure. The man in the dark suit amidst all the wooly hats and sweaters! He’s like an island of formality in a sea of…wintery revelry. Rockwell so often focuses on that element of "Americana," I think. What icons do you see coming through in that imagery? Editor: Well, for me, his stark contrast immediately makes me question the established narrative. He represents, perhaps, the social barriers challenged by leisure. It is all about accessing "recreation" for EVERYONE regardless of race, class or social standing. Who is entitled to fun, and in what context? The composition stages a conversation about social change! Curator: You see a social commentary. I see something a bit gentler, almost like a comedic observation of human nature. There is so much warmth and mirth around this serious figure. Maybe there's a subtle mocking? Maybe even a question to the established formal style. How far removed from “the People” is too far removed? Editor: I think that Rockwell's choices in attire play heavily into this, too, and how society treats outsiders based solely on their apparel choices. His paintings may not delve explicitly into those topics, but he sure knows how to get a modern viewer thinking. Curator: His ability to tap into these archetypes so clearly speaks to the broader narrative of American society. But there's a comfort too, I think, a feeling that we recognize something familiar, even if we’re viewing it with a modern eye. A nice observation. Editor: Right, I agree; it also pushes to observe the deeper currents bubbling beneath the surface. Not only the nostalgic images are icons, but these feelings of disconnect, exclusion or even expectation as well! Curator: So while our reactions differ, it is an amazing feat in social commentary. This simple, almost home-spun tableau hides great depths and reflections about its era! Editor: I’ll certainly never look at ski apparel the same way again. It truly opens up a narrative about social issues still very current to us, like equality and inclusion in an ever more fractured society.

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