Illustration from Arabella & Araminta Stories by Ethel Reed

Illustration from Arabella & Araminta Stories 1895

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drawing, paper, ink

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drawing

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comic strip sketch

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quirky illustration

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narrative-art

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pen illustration

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book

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arts-&-crafts-movement

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line drawing illustration

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junji ito style

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figuration

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paper

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ink line art

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linework heavy

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ink

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thin linework

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line

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pen work

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doodle art

Copyright: Public domain

Editor: So, this is an illustration from Arabella & Araminta Stories by Ethel Reed, made around 1895, using ink on paper. There's this dreamy quality to it, almost like the girls are floating with the butterflies. What strikes you about this work? Curator: Well, considering the historical context, Ethel Reed was a fascinating, unconventional figure. She became a successful commercial artist at a young age, during a time when women had limited opportunities. The illustration itself, with these two young girls transforming or playing with butterflies, touches upon themes of metamorphosis and freedom, particularly resonant for women of the late 19th century seeking liberation from social constraints. Do you notice the androgynous quality to the figures? Editor: I hadn't really noticed, but now that you mention it, they could be anyone! Does that deliberately play into the theme of social liberation? Curator: It certainly opens up that reading. Reed was part of the Arts and Crafts movement which rejected industrialization and championed individual expression, perhaps suggesting a yearning for a pre-industrial innocence, while at the same time exploring the blurring of gender roles, through representation. Consider the swirling lines and somewhat flattened perspective—what effect does this have? Editor: It feels like a dream or a memory, not entirely solid or real. Curator: Exactly. And dreams, as we know from feminist theory, can be powerful spaces for imagining alternative realities and challenging the status quo. Do you think this artwork empowers new ideas or upholds traditional roles? Editor: I think it invites people to question traditional roles through the ambiguity of the image and text. It is as much about escape as it is about play. I am glad I took a second look. Curator: Precisely. It shows how illustration, especially in the hands of someone like Ethel Reed, could be a potent tool for social commentary, inviting its viewers to consider questions of identity and social change.

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