A Standing Peasant Boy in Hat and Wooden Shoes by Constant Troyon

A Standing Peasant Boy in Hat and Wooden Shoes 1825 - 1865

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drawing, print, pencil

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portrait

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pencil drawn

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drawing

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print

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pencil sketch

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pencil drawing

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pencil

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sketchbook drawing

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genre-painting

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academic-art

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realism

Dimensions: Overall: 11 1/2 x 7 5/8in. (29.2 x 19.4cm) frame: 21 1/4 x 16 1/4 in. (54 cm)

Copyright: Public Domain

Curator: So here we have Constant Troyon's pencil drawing, "A Standing Peasant Boy in Hat and Wooden Shoes," dating roughly from 1825 to 1865. It's currently held at the Metropolitan Museum of Art. Editor: First thought? Quiet. A sort of melancholic stillness hangs in the air around him, don't you think? Even though it's just a sketch, a simple rendering, I get a feeling of intense isolation. Curator: It's a fascinating work, particularly when we consider its context. During this period, the representation of rural life became increasingly popular, reflecting complex relationships between urban and rural identities. We might consider how the portrayal of peasants intersects with broader socioeconomic and political concerns. Editor: True, but it’s more than just academic, isn't it? Look at the weight of those wooden shoes, almost like anchors. And the slump of his shoulders—he carries the weight of the world, or at least, his world. I can almost smell the earth and wood. Curator: And the clothing. The drawing provides insight into the everyday lives of working-class individuals. His clothes, while simple, also denote a certain degree of labor and social position within a strict hierarchical structure. We could think about what his position signifies. Editor: Definitely. It invites us to consider the dignity, or lack thereof, afforded to those who work the land. Yet, I wonder what Troyon thought when he captured the peasant. He looked quite intent on depicting the face too... There is an individuality in those lines. A sensitivity in those lines! I feel compassion, maybe even tenderness? Curator: Perhaps a reflection on his own experiences or observations of rural communities and perhaps through these observations he reflects societal inequalities. Editor: Absolutely. So much in a simple pencil sketch! It’s made me think differently about the unsung folks around me, you know? The silent observers with stories etched into their stance. Curator: It does make you think... about what we value and what we often overlook.

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