Embleem met man die God dankt voor al zijn goede daden by Anonymous

Embleem met man die God dankt voor al zijn goede daden 1620 - 1649

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print, engraving

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allegory

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baroque

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print

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pen illustration

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figuration

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history-painting

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engraving

Dimensions: height 152 mm, width 99 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this engraving, "Emblem with a man thanking God for all his good deeds," likely from between 1620 and 1649, is brimming with imagery. Anonymous is listed as the artist. It’s quite…intricate, almost overwhelming with detail. It reminds me a bit of a morality play. What do you see in it? Curator: Overwhelming is the right word, isn't it? It's as if the artist crammed the entire universe into this tiny frame! It strikes me as a rather… forceful reminder of the constant presence of good and evil. The beam of light emanating from the heavens, the destruction on one side versus the idyllic scene on the other...it's all rather dramatic, don’t you think? Almost theatrical. Do you get a sense of the Baroque love for intense emotion from this work? Editor: I do, definitely. All that contrast really emphasizes it. The figure thanking God with what appears to be divine protection. Curator: Exactly. Notice the detail of that arrow, aimed, I presume, by temptation represented on the left; deflected by an angel, no less. And it hits me, the artist really wanted to illustrate God’s constant, and perhaps sometimes invisible, influence in our daily lives. Perhaps to serve as an inspiring token of gratitude and inner peace, or an indication of the rewards when you devote yourself to religious practice. What is your opinion? Editor: I didn’t consider it as inspiration. So much of the imagery felt almost threatening… like you had to *earn* that protection. But now I see how both could be true. Curator: Art has a delightful way of playing those tricks on us, doesn't it? I have always had an immense sense of the dramatic— of choices — with this Baroque piece. I think, at the end of the day, if we reflect on the artist, an anonymous man centuries ago— maybe all they sought was some reflection. A consideration. I hope he would rest assured in knowing that's just what we've been doing, eh? Editor: Absolutely. Thanks for illuminating so many perspectives on a piece that felt a bit dense at first. Now it feels...accessible, almost friendly.

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