Female image by Hryhorii Havrylenko

Female image 1975

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hryhoriihavrylenko

Private Collection

drawing, ink, pen

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portrait

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drawing

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pen illustration

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figuration

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ink line art

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ink

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line

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pen

Copyright: Hryhorii Havrylenko,Fair Use

Curator: This is a pen and ink drawing titled "Female Image" by Hryhorii Havrylenko, created in 1975. Editor: There's something very striking about its simplicity. Just black lines on white, yet it conveys so much. It feels almost… melancholic, maybe due to the subject's downward gaze. Curator: Indeed. The line work itself is fascinating. The artist uses these repetitive lines, almost like hatching, to build up form and texture, and these are all key stylistic components in Havrylenko’s oeuvre. Do you find them to be evocative of anything symbolic? Editor: I see it in the treatment of the background and her hair. The density of the cross-hatching creates this textured ground against which her smooth face is presented, drawing the eye toward this focal point through simple contrast. Also note the pattern printed on the woman’s fabric which emphasizes this linear concept in practice. Curator: And if we explore how line work carries emotional and psychological weight over time, one might suggest the hatching pattern can be considered as bars. She is contained and in restraint. Consider the gaze we initially touched upon, what is she longing for? It invites contemplation of womanhood as constrained by external perceptions and boundaries. Editor: I agree about constraint. The lack of color and the starkness of the lines reinforces that. The simplicity can almost feel severe. This effect seems enhanced by the two conflicting angles utilized for her clothing as opposed to the backdrop, furthering this disjunction between the woman and the world she inhabits. Curator: I appreciate your highlighting the sense of disjunction in her stance in the world; that is an insightful read. But let’s be clear, Havrylenko does offer hope by subtly utilizing an accepted traditional visual vocabulary, while challenging his audience to re-interpret the semiotics. What do you conclude regarding the work? Editor: In terms of structure, I think the power of this piece rests in its ability to create depth and emotion using such limited means. It's an interesting exploration of how much can be communicated with just a few well-placed lines. Curator: It certainly presents the viewer with enduring mysteries embedded within seemingly simplistic form.

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