The Election c. 19th century

Curator: Daumier's lithograph, "The Election," presents an interesting case study in the politics of image production. The very act of creating and distributing this image engages with the electoral process, doesn't it? Editor: It does. This black and white image seems to depict a politician basking in adoration. How would you interpret this work through the lens of materiality? Curator: Notice the mass-produced nature of lithography, allowing Daumier to disseminate his commentary widely. Consider, too, how the depicted clothing—the top hats, the suits—speaks to a specific class engaging in political power. How might the consumption of this image reinforce or challenge that power? Editor: So, the material itself and what's depicted within it provide insights into power dynamics and consumption? Curator: Precisely! The paper, the ink, the clothing—all are material signifiers within a specific social and economic context. Editor: That's a fascinating way to look at it. I hadn't considered the lithograph itself as part of the political act.