Vase with Waterfall by Namikawa Yasuyuki

Vase with Waterfall 1910 - 1915

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metal, ceramic, glass

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art-nouveau

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metal

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asian-art

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landscape

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ceramic

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glass

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geometric

Dimensions: height 24.8 cm, diameter cm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Vase with Waterfall," created between 1910 and 1915 by Namikawa Yasuyuki. The piece combines metalwork with what looks like glass and ceramic, and I’m struck by how delicate it appears. The pale blues are so serene, almost like looking at a memory of water rather than actual water. What do you see in this piece, something I might be missing? Curator: Ah, this vase... it whispers to me of fleeting moments, of trying to capture the ephemeral. The artist, Namikawa, was a master of Japanese enamelwork, a real sorcerer with metal and glass. Notice how the waterfall isn't just a representation of nature, it's almost a metaphor for time itself, these delicate silver threads blurring as they descend. Editor: Time, that’s an interesting perspective. The Art Nouveau influence seems strong here, but I didn't consider temporality. Curator: Art Nouveau loved to capture fleeting beauty. It embraced decay as part of life, if you will, so to use a waterfall like this to mark time seems perfect. Editor: So the continuous flow represents how experiences accumulate? Curator: Precisely. The waterfall isn't stagnant; it's constantly moving, changing, wearing down the very rocks it flows over. What feelings does that constant motion bring up in you? Do you feel joy or do you sense urgency in the movement? Editor: Definitely some urgency. It also brings about a sense of peace, as though it's all been done before. This changes my entire impression of this. I didn't catch the temporal aspect earlier. Thank you for the perspective. Curator: Isn't it wonderful how a single artwork can contain so many different currents of meaning? The piece will continue to show you something new on every viewing.

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rijksmuseum's Profile Picture
rijksmuseum over 2 years ago

Yasuyuki brought the art of cloisonné enamelling to an artistic and technical pinnacle. He was the first to use the entire surface and to create an all-encompassing composition that also takes into account the object’s shape. The details of the waterfall are executed in silver wire. Like a brushstroke in a painting, here each wire is individually sculpted.

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