Jar c. 1936

Editor: So, here we have John Tarantino’s "Jar," created around 1936 using watercolor and drawing techniques. It's such a simple image, really, but something about the blue is incredibly calming, almost melancholic. How do you interpret this work? Curator: Calming is a perfect word for it. It whispers, doesn't shout. You know, I see a dialogue between stillness and potential. The jar itself is static, a contained form. But what *could* it contain? Flowers, secrets, dreams…it’s pregnant with possibility, a quiet anticipation of being filled. What do *you* think about that rich blue? Editor: I think the blue deepens that sense of stillness. It’s almost like looking into water –reflective and deep. Is it just me, or is there something almost photographic about the way it captures light and shadow? Curator: Not just you at all! Tarantino seems keenly interested in light play; that’s beautifully observed. It almost feels hyper-real, doesn't it? But without the harshness you often get in photographs. Maybe this gentleness stems from the watercolor medium…do you see how soft and diffused the edges are? Editor: Yes! The watercolor gives it a very dreamy quality. It's both precise and ethereal, which I find a compelling combination. Curator: Precisely. He found a way to imbue this simple object with such grace, inviting us to pause and appreciate the beauty in the everyday. I think I would like to try and copy it! I feel there is such beauty to find in still life. Editor: Absolutely. I will now be paying more attention to glassware in everyday life. What a great opportunity for art!