Portrait of a Man Smoking by Lovis Corinth

Portrait of a Man Smoking 1916

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drawing, ink

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portrait

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drawing

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ink

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pencil drawing

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expressionism

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portrait drawing

Copyright: Public Domain: Artvee

Curator: This is Lovis Corinth’s "Portrait of a Man Smoking," created in 1916, rendered with ink using a drawing technique that really exemplifies Expressionist portraiture. Editor: Wow, immediately, it strikes me as introspective. He looks deeply caught in his thoughts, or perhaps wrestling with something. Curator: The piece definitely speaks to interiority. Corinth lived through tumultuous periods; this work comes in the middle of the First World War, and understanding the anxieties of that time provides insight into the mood. It evokes larger conversations around masculinity, mortality, and even class, doesn’t it? We see it especially in the way he depicts this bourgeois male subject. Editor: Absolutely, that's clear in the fine details. It feels…fragmented. The lines aren’t neat; they have a raw energy, a sketchiness that exposes vulnerability, almost a forced composure? And notice the presence of the matchbox, the very subtle clue that invites viewers into this almost confessional moment of private reflection, a secret rendezvous in his own world. Curator: Precisely! Corinth captures a psychological landscape shaped by both the subject’s identity and the pervading social anxieties of that era. The expressive linework also hints at a breakdown, a sort of existential unraveling amid external chaos. The fact that he seems self-absorbed tells so much. Editor: He seems restless—it gives this sensation as if Corinth were attempting to grasp the intangible, depicting thoughts escaping as they surface and become ever-fleeting. Almost as if it is a dance between revealing something and attempting to maintain distance. The weight of untold feelings just lingering! It is as if Corinth’s man might be looking right through us… Curator: In observing the portrait, we become part of an enduring discussion about identity under pressure. We see an intersection between art history, psychology, gender and the unease of wartime. Editor: A subtle observation, a perfect portal. I see beyond mere surface presentation, catching the soul in expressive contemplation. A little window, perhaps?

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