The Prophet Jeremiah by Gustave Dore

The Prophet Jeremiah 

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drawing, print, engraving

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drawing

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narrative-art

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print

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figuration

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romanticism

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christianity

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line

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history-painting

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engraving

Copyright: Public domain

Curator: Gustave Dore's "The Prophet Jeremiah" immediately strikes me. The texture achieved in this engraving is almost overwhelming. So much detail, so much hatching. Editor: Dore was a master of the medium. Engravings like this offered a level of accessibility. They appeared in books and prints, disseminating religious and historical narratives widely. It’s about the democratization of imagery through material reproduction. Curator: Exactly. Think about the social impact. Jeremiah, standing almost defiant, with those figures below him cowering in despair. It's powerful storytelling aimed at a broad public audience. The composition pulls your eyes upward, almost like divine intervention breaking through the darkness. Editor: The sheer volume of marks, though, suggests something beyond accessibility. The physical labor! Imagine the time spent meticulously carving that plate. It shifts the emphasis from the divine to the earthly work involved in producing the image and thus a kind of faith. Curator: I see your point. It connects the spiritual message to the real-world toil required to spread it. Romanticism always seems to have one foot grounded in realism. But look at the scale of it – the imposing architecture, the storm brewing overhead, it’s very romantic. It reflects anxieties about authority and upheaval common in the period following the French Revolution. Editor: The texture speaks to that upheaval. It is as though the landscape, Jeremiah, and the steps have all eroded in a state of instability. And the lines make a certain kind of beautiful noise of industry too. A noisy way of bringing things into the world, or unmaking them. Curator: In a way, that noise amplifies the prophet’s message of impending doom. It visually embodies the weight of his words and underscores the turbulent times he represents. Editor: Indeed. Dore's Jeremiah, rendered with so much deliberate handiwork, acts as a somber reminder of the relationship between faith, material action, and cultural dissemination. The print transforms a Biblical moment into an active part of nineteenth-century life and work.

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