Crucifix c. 1936

Geoffrey Holt made this ‘Crucifix’ drawing with watercolour, and there’s a real sense of careful looking in the work. The colours are muted, almost faded, with a gentle layering that feels both precise and a little tentative. It’s clear that it’s a process of building up an image in front of him, rather than just copying. I love how the watery paint gives the metal a sense of reflection and light. You can almost feel the cool surface of the object. See how the base is rendered in these thick, soft layers of red? The texture is built up with short strokes, almost like dabs, creating a porous feel. In contrast, the droplets look like upside-down icicles, a very neat row, making a fascinating contrast with the more organic shape of the base. I think the way Holt has balanced precision with the fluidity of watercolour is compelling, it reminds me of Giorgio Morandi, who could also find the sublime in such modest subjects. Ultimately, it’s the sensitivity and care that makes this simple drawing so moving.