Stefano di Andrea Magno, c. 1500-1572 [obverse] 1519

Cast around 1500, this bronze medal by Giovanni Maria Pomedelli immortalizes Stefano di Andrea Magno. In the portrait we see Stefano in profile, his gaze unwavering, framed by the inscription of his name and titles. The profile portrait, reminiscent of ancient Roman coins, speaks to a desire for permanence and historical connection. This artistic choice isn’t merely aesthetic; it is a deliberate invocation of classical ideals. The sharp, clear lines and the somber expression of Stefano are meant to convey gravitas, reflecting the sitter’s status. Consider the visual echoes throughout history: the use of profile portraits to convey authority, from emperors of old to Renaissance nobles. Each portrait is a continuation of a visual language, adapted and reinterpreted to fit the changing times, yet maintaining a link to the past. The echoes of which resonate through this object, and our collective memory.