Brand in de kerktoren te Amersfoort by Jordanus Hoorn

Brand in de kerktoren te Amersfoort after 1804

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print, etching

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print

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etching

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pencil sketch

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old engraving style

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landscape

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etching

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cityscape

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history-painting

Dimensions: height 228 mm, width 276 mm

Copyright: Rijks Museum: Open Domain

Curator: Editor: Here we have Jordanus Hoorn's "Brand in de kerktoren te Amersfoort," an etching from after 1804. The scene is dramatic, almost apocalyptic. What sort of stories does this piece tell you? Curator: The devastation jumps out, doesn't it? Beyond the immediate tragedy of the fire, consider this etching as a commentary on societal instability. The church, historically a symbol of power and permanence, is literally crumbling. What social and political anxieties do you think might have been present in the Netherlands that would lead people to view such an image and find some truth to it? Editor: Well, thinking about the time period, the Netherlands had just gone through quite a bit of political upheaval. I believe it recently transitioned into the Batavian Republic after the French Revolution and was under French influence, and that there may have been the lingering instability after such major socio-political events. Is the fire itself meant to represent those specific events, or broader conflicts in the old systems? Curator: Precisely. It can be viewed through the lens of political change. But let’s go further; were there pre-existing fractures and disparities within Dutch society? Think about class, religion, colonial trade… Editor: Oh! The etching does emphasize the common people observing the blaze from a distance. Could this scene be symbolic of the old structure failing and the effect it has on society in general, both negative through disaster, but potentially opening opportunity for reconstruction? Curator: Absolutely. And how does the medium itself, etching, contribute to this message? Editor: Etchings are reproducible. Maybe the intent was to widely disseminate an image of disaster, a constant reminder? It would surely serve a purpose in whatever political system came next. Curator: Exactly. And by studying pieces like these, we see the ways in which disasters affect everyday life and force social, political and even cultural reflection. It makes you consider the role artists play during turmoil. Editor: It’s incredible to see how a simple image can hold so many layers of meaning! Thank you.

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