De schepen in baai van Guarme, 1615 by Anonymous

De schepen in baai van Guarme, 1615 1617 - 1646

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print, engraving

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aged paper

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pen drawing

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dutch-golden-age

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print

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pen sketch

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old engraving style

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landscape

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personal sketchbook

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pen-ink sketch

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pen and pencil

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line

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pen work

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sketchbook drawing

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cityscape

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sketchbook art

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engraving

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realism

Dimensions: height 150 mm, width 215 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "De schepen in baai van Guarme, 1615," attributed to an anonymous artist and created sometime between 1617 and 1646. It's an engraving that looks like an early map of a coastal settlement. It has a sort of stark, documentary feel. What's your read on this piece? Curator: My eye is drawn to the representation of the ships and the figures populating the landscape. These elements, though small, speak volumes about the global power dynamics at play during this period. It reminds me of world system theory where we understand how the Global North was getting rich by extracting resources of other countries through means of unequal trade. What do you notice about the depiction of the indigenous population versus the colonizers? Editor: Well, there seem to be more figures who I would guess are colonizers, and their ships seem much larger than the smaller boats nearer the shore. I am interested to know more about what that implied. Curator: Exactly. The imbalance of power isn't just suggested, it’s visualized. The piece can be interpreted as a document of early colonial ambition. The detail in the ships contrasted with the less defined depiction of the landscape can suggest whose story the artist found more compelling, whose perspective they valued. How might the artist's likely social standing and the intended audience influence their representation? Editor: It does seem that whoever created this wanted to glorify something to do with the boats. Perhaps it had to do with exploration and conquest and claiming foreign territory? Curator: Precisely. It serves as a reminder that art from this era can simultaneously celebrate exploration and lay bare the uneven distribution of power and who it benefits. Thinking critically, what questions does this raise for us about historical narratives and representation? Editor: That’s a really insightful point. I had been initially drawn to the cartographic style but didn't consider its deeper cultural implications. Curator: These historical documents invite us to delve deeper and question everything about them and about the age that created them. It helps understand the narratives that were being spread in society at the time. Editor: I'll definitely be looking at art like this with a new perspective now. Thanks!

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