print, daguerreotype, photography
daguerreotype
photography
cityscape
realism
Dimensions: 7.8 × 7.5 cm (each image); 8.9 × 17.8 cm (card)
Copyright: Public Domain
This stereograph of the Blue Room in the White House was made by Chas. S. Cudlip, a Washington D.C. publisher. It offers a window into the social and political landscape of post-Civil War America. Stereographs, popular in the mid-19th century, provided a three-dimensional viewing experience, offering an immersive glimpse into distant places and events. This image, made for mass consumption, democratized access to the White House, a symbol of power and authority. The carefully arranged interior, with its ornate furnishings and grand chandelier, reflects the opulence and aspirations of a nation seeking to rebuild and project an image of stability and refinement. The act of photographing and distributing images of the White House also speaks to the evolving relationship between the government and the public. It encouraged a sense of national identity. By examining photographs like this in archives and historical societies, we can better understand the complex interplay between power, representation, and the construction of American identity.
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