Deksel van pot 1830 - 1850

Curator: Here we have a striking example of 19th-century earthenware. This lidded pot, believed to be crafted between 1830 and 1850 by Jan van Putten & Co., features figuration and decorative motifs indicative of what we now term Orientalism. Editor: My first thought? Eclectic! It's a whole visual party happening here. The blue and white background feels very traditional, but then BAM, those panels pop with colour, like little theatrical stages. And that golden dog on top – cheeky! Curator: Indeed. Orientalism was a prevalent movement during this era, particularly in Europe, where there was considerable interest in East Asian cultures. Objects like this weren't always about accurate representation; they often reflected European interpretations and fantasies. We need to be critically aware when interpreting this piece, its role in that history. Editor: It's like a dream somebody had after reading a slightly skewed travelogue, isn't it? But honestly, that's part of its charm. The details in those little scenes, even if imagined, hint at intimate moments. The colours are so cheerful. Curator: The medium is also important. Earthenware allows for detailed decoration, even imitation of precious materials, which makes it more accessible. These items often found their way into middle-class homes, demonstrating aspiration. The production context involves economic access and evolving markets. Editor: Interesting! I get that. It feels 'manufactured' to fulfil a need, to look worldly, sophisticated, and refined! Makes me think about cultural appropriation and representation in consumer products nowadays... Is this lid about practicality or pure showing off? It could hold tea... or secrets? Curator: Perhaps both. The 'Deksel van pot', literally lid of pot, operates on multiple layers. Editor: Well, after digging a little deeper, I'm definitely still drawn to the colours, less to the context behind it. I would put some flowers next to it and maybe have it hold my grandmother’s buttons. Curator: And with this art piece, buttons or blossoms could stimulate dialogue as much as brushstrokes and culture can. Editor: Absolutely. Whether historically charged or intriguingly quaint, this ceramic curiosity certainly has a presence.