Jacht op beren by Etienne Delaune

Jacht op beren 1528 - 1583

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drawing, print, etching, pen, engraving

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drawing

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narrative-art

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pen drawing

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print

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pen illustration

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pen sketch

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etching

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landscape

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figuration

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ink line art

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11_renaissance

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line

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pen

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history-painting

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northern-renaissance

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engraving

Dimensions: height 68 mm, width 220 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is "Jacht op beren," or "Bear Hunt," by Etienne Delaune, dating somewhere between 1528 and 1583. It’s a pen and ink drawing, with etching and engraving. There's so much energy in this piece! I’m curious about the historical context... How should we interpret a piece like this? Curator: This piece offers a window into the values and social structures of its time. Bear hunting wasn't just a sport; it was a display of power and dominance, typically reserved for the aristocracy. Who was able to possess or exert force? How does the imagery support existing power structures? Editor: It makes sense. You’re right, there’s that air of nobility. I hadn't considered that aspect, I was focused on the violence on display. Do you think that’s the point of this piece? To broadcast a political message of supremacy? Curator: Partially, but consider its broader context within the history of printmaking. Prints like these circulated widely, and were seen by the lower classes too. What effect might such images of aristocratic power have on a diverse viewing public? Were they simply aspirational? Editor: Hmm, so it’s not just about broadcasting power, but also perhaps reinforcing the social order, even creating a sense of exclusion. Did commoners ever challenge these kinds of messages? Curator: That’s a key question. Sometimes subtly, sometimes overtly, artists challenged or subverted dominant ideologies. Investigating such artistic responses gives a more complete picture. Editor: I hadn’t considered that wider social effect. I’m seeing this less as a straightforward illustration and more as a reflection of complex social dynamics of the time. Curator: Exactly! Considering how such imagery functions within a specific historical and social context allows us a richer, more nuanced understanding.

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