Pepita zittend aan een gedekte tafel met twee vrienden by Hans Borrebach

Pepita zittend aan een gedekte tafel met twee vrienden before 1948

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drawing, paper, ink, pen

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portrait

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drawing

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narrative-art

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paper

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ink

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pen

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genre-painting

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cartoon style

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modernism

Dimensions: height 211 mm, width 291 mm

Copyright: Rijks Museum: Open Domain

Curator: I'm drawn to this piece for its understated power and suggestion of a rich, unspoken narrative. It is titled "Pepita zittend aan een gedekte tafel met twee vrienden," made before 1948 by Hans Borrebach. It's a pen and ink drawing on paper. Editor: You know, it strikes me as instantly stylish, almost like a glimpse into a chic mid-century film. There’s something playful, yet also reserved, in the expressions of the figures. I wonder what they are saying? Curator: Well, it resonates on a few levels. The artist's modernist approach hints at influences from contemporary European social movements while it appears like commercial illustration. Note the attire: the tailored suits on all figures. It could suggest a moment where gender roles, professionalization, and class consciousness intersect. Editor: Ah, I see what you mean. The bold outlines create a cartoon-style that’s playful, yet the almost stiff formality of the figures tempers it. Is this meant to be satirical perhaps? Curator: Precisely. Satire of class, aspiration, or social performance feels accurate. Think about the post-war moment in which it was created, it would certainly seem like an attempt to wrestle with societal shifts around bourgeois culture. Editor: It reminds me a little of Grosz, but a touch lighter, less brutal. Still, those clean lines capture something very evocative about relationships. There is such an unspoken element and tension at the table. I can almost feel it. Curator: Absolutely, and there's that word at the bottom, "Komisch," hinting at that intention. What's being served? There's food, but we are more directed towards wine. A sense of slight excess? We cannot know fully but we can speculate given the artistic approach, time, and composition. Editor: Perhaps! And the tilted perspective, too! All in all, I'd love to make up some storylines about that drawing—the romance, tension, drama all happening at that one table. Curator: And I find that response entirely relevant given art's ongoing responsibility to ask and probe at assumptions or easy readings of society. Editor: Definitely something special captured here. A narrative frozen in time, and ripe for imagination.

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