Gezicht in vogelvlucht op de stad Batavia, 1629 by Adriaen Matham

Gezicht in vogelvlucht op de stad Batavia, 1629 1632 - 1646

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print, engraving

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dutch-golden-age

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print

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landscape

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perspective

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cityscape

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engraving

Dimensions: height 105 mm, width 170 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have an engraving created by Adriaen Matham between 1632 and 1646, titled "Bird's-eye view of the city of Batavia, 1629." It offers an elevated perspective of the city, meticulously detailed, almost like a map. Editor: It's a strikingly orderly composition. Despite the "bird's-eye view," it feels less like soaring and more like a calculated observation. The rigidity of the structures conveys a sense of control, almost imposing. Curator: Absolutely, that controlled observation speaks volumes. The precise lines of the fortifications and the grid-like layout suggest the deliberate imposition of order and the visual demonstration of power and organization in the colonies. Note how all elements are perfectly placed within a harmonious structure. Editor: I’m also struck by how it presents Batavia as a distinct European entity. The lack of visible local elements minimizes the complex interactions that undoubtedly shaped the reality of colonial life there. It's as though Matham wants us to see only the Dutch project. Curator: Precisely. The European visual lexicon transforms Batavia into a simulacrum of Europe, visually erasing the Indonesian cultural presence. It’s an assertion of dominance rendered through cartographic and artistic means. Editor: It really frames the power dynamics, doesn’t it? The perspective and fine details seem designed to elicit respect, awe perhaps, for Dutch capabilities. It is meant to evoke power. Curator: Indeed. There's a symbolic assertion here of the city, a planned place—safe, and divinely guided. A projection, in essence, of Dutch hopes. Editor: Reflecting on this, I see a powerful reminder of the subtle yet forceful ways in which colonial narratives were constructed. It allows us to acknowledge that maps like this are powerful statements. Curator: Absolutely. Images hold incredible symbolic force. The "Bird's-eye view of the city of Batavia, 1629” provides a potent and clear view into colonial aspirations, and the tools used to achieve it.

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