The Accusers of Theft, Adultery, Murder (War) c. 1794 - 1796

"The Accusers of Theft, Adultery, Murder (War)" was made by William Blake using etching and watercolor. These processes were fairly traditional for the period, but Blake used them to radically visionary effect. Consider the starkness of the figures, achieved through line and wash. The linear etching gives the figures definition, while watercolor adds ghostly hues. This combination reflects Blake's unique approach to printmaking, pushing its boundaries. The image's power comes from Blake's fusion of technical skill and social commentary. His labor-intensive printing process mirrors the accusations leveled by the figures, embodying themes of work and responsibility. By combining craft and fine art, Blake challenged conventions, making a statement about the human condition. Blake uses conventional materials and techniques to question the boundaries of art itself, engaging with broader social issues. The result embodies the true spirit of craft: skill, vision, and social critique, all rolled into one.