Twee vrouwen c. 1863

Editor: Here we have "Twee vrouwen," or "Two Women," a pencil drawing by Cornelis Springer, circa 1863. It looks like it comes from a sketchbook. There is such freedom in these preliminary sketches. I wonder, what is the significance of the attire depicted? Curator: The attire indeed speaks volumes. It situates us firmly within the visual codes of the mid-19th century, doesn’t it? But look closer, beyond mere fashion. How might this specific headwear function, not just as adornment, but as a marker of identity or social standing for these women? Do the direction and gesture of the gaze give any other hints of its possible function, like reflection, judgement, or acceptance? Editor: I hadn't considered that! Now I'm thinking about the social rituals of the time. Perhaps the one woman's upright posture suggests a certain pride or formality that the other lacks? What about the different levels of detailing of the drawings – is it like Springer is suggesting differences of character here? Curator: Precisely! Consider how dress codes of the period enforced visual distinctions according to gender and class, these sketches, although rapid, document such a system. Springer employs this visual shorthand, hinting at underlying social structures and cultural values related to the lives of women at the time, as the woman facing us dons more ornate decoration. The act of sketching itself is imbued with meaning as an act of intimate observation and maybe also admiration. The incompleteness of the forms can imply a freedom of expression on the part of the artist too, don’t you agree? Editor: That is a great observation; it brings the images alive to me! It shows that something as simple as a sketch of “two women” is a gateway to understanding the cultural symbols from that era. Curator: Indeed, understanding even seemingly casual imagery allows one to connect intimately with the past, feeling its psychological pulse through line and form.